Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
One Day One
The birds start by 0315 here, which is when I awoke this morning. They didn’t do it, make me wake-up, they’re not roosters after all, but it was odd, since in summer-coming season — the annual-but-always-unexpected late Spring overcast SoCal days with weather-people broadcasting [good weather word!] ‘plenty of heat on its way’, or the
Can We Love Chocolate Cake?
Here’s a guest post at Dreaming Beneath the Spires.
Is Not That Special?
From a review of a book on founding Britain’s Special Air Service in World War II, what was required of recruits — Courage Fitness Determination Discipline Skill Intelligence Training and another review noted, quoting the book — “Recruits tended to be unusual to the point of eccentricity … people who did not fit easily into the
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I