Mary Anna Vidakovich, Sing to the Lord

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Trick Shot

Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Random

Idea: Inspiration

They asked Newton* how he did it and he’s supposed to have said, I thought about it all the time.  * Yes, it’s Archimedes. Keep reading. Inspiration is for amateurs. Chuck Close You can’t wait for inspiration. You have to go after it with a club. Jack London Inspiration exists, but it has to find you working.

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The Fat Guy and Buttons

Buttons are the bane of the Fat Guy’s existence. Buttons leave gaps when the Fat Guy’s fat rolls jiggle around and peek through them. Buttons catch on drawer pulls, come undone at the belly, and are generally uncooperative. Buttons are generally on costlier clothing, which means the Fat Guy is spending too much money on

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The Weighty Beauty of the IBM Selectric III

As Annie Dillard might say, I didn’t write this, I typed it. In fact, I typed it on a black 15″ IBM Selectric III — correction, a Correcting Selectric III, which began production, I am informed, in 1980. It’s the one I learned to type on and, I know now, began to learn to write.

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Game Face

F Buechner on the faces we will meet or do not … T.S. Eliot read by Sir Anthony Hopkins … Helen of Troy, beauty + danger … 3D-printed face shields … Melania Trump … Cassavetes … Gangsta … FDA … … ah, but we find this hard

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