Recent
No Prizes for Subtlety
It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Random
Pray Attention
… am reading Ron Hansen’s Hotly in Pursuit of the Real and so for a moment do you then read with me. The title is from a line of Flannery’s I didn’t know but that is no matter; I didn’t know of Hansen’s book until a week or so ago, nor his A Wild Surge of Guilty
All You Can Eat Adultery
I get all the adultery I want. It’s true. Ask Michele. Thing is, I don’t want any. You may have guessed this, but others may have thought Wha — ? Aye, and there is the (naked back) rub. I don’t want any adultery because I love my wife. This is true, and it’s the main,
In the Beginning Were the Words
Alpha and Omega 1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water
The Country for Old Men
Walter Hartwell White is going to hell. Whatever else happens — whoever dies in the shootout, no matter what-all happens in the final three episodes, whatever he’s planning to do with the ricin recovered from his burned out house — that’s a fact. In fact, Breaking Bad creator Vince Gilligan said that was the point, one which