Recent
No Prizes for Subtlety
It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Random
Itch-A-Sketch
Church folk and artists haven’t always been friends. Ha. Get it? Because it seems they’ve almost never been friends, though that’s not true, and shouldn’t be, but just how much it shouldn’t be isn’t clear. It’s as someone said about once about a poet: Dylan Thomas wrote six great poems, but no one knows which
Being That Guy
Once after one of my MFA professors had said the work we were reading was neither good nor original, the student who’d produced the pages wailed, But … but this actually happened! So what? He said. * I think François Truffaut said everyone in fiction is crazy, and the problem is to render this craziness
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Cursing With God
More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and