Francis de Sales

Recent

No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Greater Love Blah Blah Blah

Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on

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Random

Bread

“We’re sorry,” said the man, pointing. “We ain’t much here.” The woman, they guessed his wife by the way she puttered around, doing many small things but nothing really, was shaking her head. The two were indicating the table, which indeed was sparse: bread of some kind, though it looked fresh baked at least, with

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It’s Not Gonna Be Me

First thing I noticed anew this year watching It’s a Wonderful Life was how happy George Bailey was to be going to jail. He celebrates it, as he bursts through his front door to be greeted by a bank examiner, a journalist, and the sheriff. If those three “walked into a bar” it might not be

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Murder, Inc.

In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,

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For M

The great story is the search by the lover for the beloved. I love M. I am in love with M. [angry as well; in love and in pain, simul.] To love as Christ loves. (ask, seek, knock). God pursues. Christ stands. Spirit groans. I am he. I seek her even if she will not

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