Recent
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
Sadie! Sadie!
Hadda dream that Zadie Smith asked me to babysit two kittens. She and her husband, an older Jewish man, had somewhere to go. He was involved in classical music of some kind, possibly a conductor or composer; seemed like a nice guy. One cat was incontinent, one only inconvenient … Zadie and her mensch were
Hey Babe, Wanna Increase My Downline?
This wouldn’t be the first time someone “posted” a “blog” on their “website” while having nothing to say. Well, not nothing exactly, but certainly not being sure exactly what he wants to say. But then that’s part of what a blog is, or was. Or maybe that’s just the bad kind; definitely it’s the old
The Professional
shows up every day stays on the job all day commits to the long haul sets the stakes high, sees they’re real is patient seeks order demystifies acts in the face of fear accepts no excuses plays it as it lays is prepared doesn’t show off masters technique asks for help doesn’t take failure
An Epic For Our Time
Peter Jackson’s “The Hobbit” is like cram, the bread the dwarves eat for weeks as they explore The Lonely Mountain — and for much longer as men and elves lay them siege. It sustains but does not nourish, providing energy but no taste. But let Tolkien tell it: “I don’t know the recipe, but it