Bresson

Recent

Trick Shot

Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Random

You’re Doing It Wrong

A friend once recounted how a mutual acquaintance of ours had told her God spoke to him, which he meant both literally and verbally. It’s enough on one point to note the gent didn’t say God spoke with him — which wd seem to be preferred, all things taken together — but that isn’t what I’ll

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Business Card

  Live lean. Altar ends. Mercy burns. Pleasantly surprising. Love to the point of folly. Afflictions eclipsed by glory. Write until your fingers break. Everything worth doing hurts like hell. The individual will be thoroughly misunderstood. Write as if you were dying … — that is, after all, the case. Completely fearless, absurdly happy, and in

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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Animal Planet

We’re watching Planet of the Apes. No, not the Charlton Heston one — this one. Only it’s supposed to be this one, from last year. So we’re on the middle one, the “first remake” (excluding the 17 sequels to the Charlton Heston one) and it’s by Tim Burton, with all that that entails, from Helena

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