Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
No It Won’t
I don’t think that quotation means what we think it means. Beauty will not save the world and anyway Dostoevsky didn’t say it and anyways he didn’t mean it neither. The line that’s led to our clichéd abuse of the idea’s akin to ‘Eskimos have 418 words for snow’ and ‘it takes 21 days to
Why Not Two Cupcakes?
Something we know well and another I know little. Remember … re-member … before we begin Dallas Willard on knowing — namely … named-ly … not intellectual apprehension but interactive relationship. Each and both come from the same aim: good and right and lovely when well and harmful on all counts when not, as is
“For sale: baby shoes” is a classified ad. “For sale: baby shoes; never worn” is a story. It’s Hemingway’s, in fact. * “The king is dead” is a news bulletin. “The king died, and the queen died of grief” is a story. Better yet, “The king died, and the queen and her lover died in
A wayback bit of my memory mentions to me how George Thorogood and Bob Seger each felt, responded, etc., when asked to play their single most widely known songs — which are of course this one and this one, respectively — for live shows. Elements of the discussion — one article, with thoughts from both?