Defence of Poesy

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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

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Not For Teacher

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer

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Diminishing Me

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28

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Random

Business Card

  Live lean. Altar ends. Mercy burns. Pleasantly surprising. Love to the point of folly. Afflictions eclipsed by glory. Write until your fingers break. Everything worth doing hurts like hell. The individual will be thoroughly misunderstood. Write as if you were dying … — that is, after all, the case. Completely fearless, absurdly happy, and in

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Saving Grace

Don’t ask me for grace. Not because I don’t want you to have it, for I certainly do. But I can’t give it to you. Only God can give you grace, of this I’m becoming certain. Grace is God’s action in our lives to accomplish what we could never do on our own. Dallas Willard which

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I’ve Said Too Much

There’s a danger of saying too much. There’s always that. I wrote previously and succinctly about stories. Here’s a longer exploration I’ve been working on, off and on, for about a year. * Every true story starts with realizing something is out of place and involves people asking who they are in a world where things (they now see)

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16 Precepts

You have asked me how to pursue learning. I pass this along in response — Move from the easier to the difficult Be cautious of speech Be slower still in frequenting places of talk Embrace purity of conscience Pray without ceasing Love your home and to be there often Show geniality to all  Pay no heed to others’

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