Frank Partnoy

Recent

Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Greater Love Blah Blah Blah

Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on

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Dark Eyed Life

According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the

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Random

Get Out Of The Boat

For Jonah, dissent was a felix culpa, a happy fault that brought him closer to God. Or like Dante, when doubting pleased him no less than knowing (Inferno, Canto 11), for what he could learn and gain. Our error brings us closer to Him. And He knew it would do so. Then we know he

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Faith in the Shadowlands

Casting Crowns made me cry. It was the song “Somewhere in the Middle” — sometimes called “Caught in the Middle” on the Internet. I misheard one of the lines too — the phrase is “deepwater faith, in the shallow end.” It was also a little disconcerting to learn that it was written for teenagers. We

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True Romance

Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the

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