Henri-Frédéric Amiel

Recent

What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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‘Round Here

Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you

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Random

Around the House

One night I watched about half of “Extreme Makeover: Personal Edition.”  Or something like that. It was about body renovations instead of housing, which is an interesting way to extend the brand.  I can’t help wondering if as they pitched the idea a guy didn’t say, “Heh, heh — fat people … house … get

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In the Beginning Were the Words

Alpha and Omega     1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water

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The Weighty Beauty of the IBM Selectric III

As Annie Dillard might say, I didn’t write this, I typed it. In fact, I typed it on a black 15″ IBM Selectric III — correction, a Correcting Selectric III, which began production, I am informed, in 1980. It’s the one I learned to type on and, I know now, began to learn to write.

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