Recent
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Random
Christ on a Postage Stamp
Got to thinking on postage stamps today bec hadda mail a book to a friend and when you go in you hafta say to the guy, no matter what your actual business is that day, and of course you’re already saying it if you went in for this purpose — ‘What first class stamps d’ya have?’ It’s
Animal Planet Part XVII
Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Duo
… More then says because he’s in prison and only has a coal with which to write he can’t respond fully to the view that one ought harm an evil man lest he cause even greater harm to such as are innocent and good. But He counsels us that even if it be our formal office to punish an evil