John Ciardi

Recent

Subjective, Objective

The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman —   That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t

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People do the Craziest Things

Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that

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Time and Treasure

Saw an episode ages ago of one of the Twilight Zone reboots which, I’m pretty sure, starred Mark Hamill as this weird kid who collected toys. All this kitschy stuff from the ‘50s and grew up collecting them — and thus stayed weird and for the most part apparently lonely for his life entire. Of course

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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Random

Cursing With God

More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage.  It’s a war book, but there are hardly any battle scenes.  I don’t get it.” So we did a little Socratic dialogue, and

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What Are The Stories

“What are the stars?” No, not “big balls of gas” — that’s just their form. Just as people aren’t blood and guts so are stars not big balls of gas. What then are the stories?  I started with two divergent thoughts — There is only one plot: things are not what they seem. Jim Thompson and With a

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Animal Planet

We’re watching Planet of the Apes. No, not the Charlton Heston one — this one. Only it’s supposed to be this one, from last year. So we’re on the middle one, the “first remake” (excluding the 17 sequels to the Charlton Heston one) and it’s by Tim Burton, with all that that entails, from Helena

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Giant in the Land

Dallas Willard revised his affairs yesterday, moving to the headquarters of the Kingdom of the Heavens to live slightly nearer to God, whom he spoke of, served, embodied. The life he continues to live today. Unceasingly infused, this life was and is. For these ideas and Our Lord were everywhere in what Dr. Willard said

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