Recent
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
Sign Posts
The physician must be able to tell the antecedents, know the present, and foretell the future — must mediate these things, and have two special objects in view with regard to disease, namely, to do good or to do no harm. The art consists in three things — the disease, the patient, and the physician. The physician
The Adult Test
If you have thought — This is dirty This is broken This is wrong And decided to help — Scrub it Repair it Right it You may be an adult.
Trilemma
Bear no malice nor ill-will to any man living, for either the man is good, or naught: if he be good, and I hate him, then am I naught; if he be naught, either he shall amend, and die good, and go to God; or abide naught, and die naught, and so be lost.
An Epic For Our Time
Peter Jackson’s “The Hobbit” is like cram, the bread the dwarves eat for weeks as they explore The Lonely Mountain — and for much longer as men and elves lay them siege. It sustains but does not nourish, providing energy but no taste. But let Tolkien tell it: “I don’t know the recipe, but it