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Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Dark Eyed Life
According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the
Random
The Country for Old Men
Walter Hartwell White is going to hell. Whatever else happens — whoever dies in the shootout, no matter what-all happens in the final three episodes, whatever he’s planning to do with the ricin recovered from his burned out house — that’s a fact. In fact, Breaking Bad creator Vince Gilligan said that was the point, one which
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
In the Beginning Were the Words
Alpha and Omega 1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water
Who They Are
The poet felt injustice in calling it Fancy Ketchup. The priest said the most grievous sins can be forgiven. * The priest wondered if anyone changed. The poet said he’d seen it often, depending on who was paying. * The poet would punish evil by making them hated by all. The priest would in having