Melba Maggay

Recent

Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Greater Love Blah Blah Blah

Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on

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Dark Eyed Life

According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the

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Random

Animal Planet

We’re watching Planet of the Apes. No, not the Charlton Heston one — this one. Only it’s supposed to be this one, from last year. So we’re on the middle one, the “first remake” (excluding the 17 sequels to the Charlton Heston one) and it’s by Tim Burton, with all that that entails, from Helena

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Finding Level

Relationship finds its own level. Generally it looks like we [and others] choose — a boy’s entreatment rejected, an attorney makes partner, 158 million of us vote — but there is a finality to much that we ostensibly do. This is how such absurdities as determinism gain purchase, how authors can talk and be misunderstood

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Murder, Inc.

In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,

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More Research Necessary

A report from the lab — She’ll talk sometimes, make an endless series of noises with inflections and rhythm and pauses. Or she’ll just scream for as long as she can. — this from my son, the father of the girl in question, and questioning. Hmm, I said, I still do that. But for she,

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