Recent
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
The Fat Guy and Buffets
The word is buffet, and it is 300 years old, from the Old French, of “obscure origin” as the kids say, if the kids wrote etymological dictionaries. Obscure origin, but the word is more than making up for it three centuries later. They are everywhere. Everywhere the Fat Guy lives, and everywhere he has been. I
Semi Stuff
Here’s a way to say it — I pay attention, I notice things, I remember, I make connections; my mind moves fast — and long, on the connections. Draw the well deep, carry far the water. [The semi-colon technically ‘replaces’ the period but artfully between the two a difference wd be how a semi-colon can
The End In Mind
Sometimes we imagine ourselves the star of our own personal blockbuster biopic, currently in production (it’s sometimes in development hell, but generally moving forward) and it’s all vital and crucial, Academy Award-material, two thumbs way up. God is teaching us all this stuff, we think, even if don’t presently know what it is. And if
The Weighty Beauty of the IBM Selectric III
As Annie Dillard might say, I didn’t write this, I typed it. In fact, I typed it on a black 15″ IBM Selectric III — correction, a Correcting Selectric III, which began production, I am informed, in 1980. It’s the one I learned to type on and, I know now, began to learn to write.