Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Our system is perfectly designed for the results we’re getting. We worship wealth and crave power. We have a job called “celebrity” and wink at vulgarity and reward villainy. We admire brashness. We randomly excuse or excoriate peccadilloes: depends on the news cycle, the fame or infamy possible, and the money and status of those involved.
This is part one of a two-part post on why, some 45 years later, we still watch Columbo. Part two is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * For my wedding, I asked for and received the Columbo DVD collection. Complete to that point, it ended