Peter Berger

Recent

And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

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What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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Random

Semi Stuff

Here’s a way to say it — I pay attention, I notice things, I remember, I make connections; my mind moves fast — and long, on the connections. Draw the well deep, carry far the water. [The semi-colon technically ‘replaces’ the period but artfully between the two a difference wd be how a semi-colon can

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The Professional

  shows up every day stays on the job all day commits to the long haul sets the stakes high, sees they’re real is patient seeks order demystifies acts in the face of fear accepts no excuses plays it as it lays is prepared doesn’t show off masters technique asks for help doesn’t take failure

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In the Beginning Were the Words

Alpha and Omega     1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water

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