Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Animal Planet Part XVII
Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?
Lookit! Lookit! Lookit!
Don’t see my sin, Lord. Look at Jesus on the cross, Father … then look at me. Look at Jesus Christ risen, Father … then look at me. Look at Jesus ascended, Father … then look at me. Amen.
What Price Anger
Anger cost small for years then nearly all. Like decades of tossing nickels and dimes in a 5-gallon water bottle until it can’t be carried anymore not even to the Coinstar or your credit union and if you tried you’d hurt something and badly … or the plastic o’er time has degraded and the bottle
The Country for Old Men
Walter Hartwell White is going to hell. Whatever else happens — whoever dies in the shootout, no matter what-all happens in the final three episodes, whatever he’s planning to do with the ricin recovered from his burned out house — that’s a fact. In fact, Breaking Bad creator Vince Gilligan said that was the point, one which