Recent
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Time, Treasure
Saw an episode ages ago of one of the Twilight Zone reboots which, I’m pretty sure, starred Mark Hamill as this weird kid who collected toys. All this kitschy stuff from the ‘50s and grew up collecting them — and thus stayed weird and for the most part apparently lonely for his life entire. Of course
Random
Christians and Atheists
Christians create atheists when we do evil in God’s name. (props to Dennis Prager, who wrote: “Nothing creates atheism as much as evil done in God’s name.”)
Un Success Full
Thomas Merton was asked once to contribute to a book on success — specifically a statement of how he’d achieved it in his own life. I replied indignantly that I was not able to consider myself a success in any terms that had meaning to me. If it happened that I had once written a
What Are The Stories
“What are the stars?” No, not “big balls of gas” — that’s just their form. Just as people aren’t blood and guts so are stars not big balls of gas. What then are the stories? I started with two divergent thoughts — There is only one plot: things are not what they seem. Jim Thompson and With a
Cursing With God
More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and