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What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you
Random
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Do Piece — Love (Frankl)
Love is the only way to grasp another human being in the innermost core of his personality. No one can become fully aware of the very essence of another human being unless he loves her. By his love he is enabled to see the essential traits and features in the beloved person; and even more,
Mad Men: The Imploding Don Draper
It took me the better part of two seasons to realize the story of “Mad Men” was the story of the self-destructing Don Draper. Then again, it took Draper himself at least three. And as the bright and shining lie he’d crafted, arced and crashed at his feet — represented in real time by his
The Fat Guy And Food
The Fat Guy does not particularly like food. There are gourmands, who also are likely to be massively obese — think Mario Batali, who can be easily envisioned in one of those old “Faces of Death” videos, hammering the monkey trapped in the middle of the dining table and scooping brains out of the not-yet-dead