Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
As Annie Dillard might say, I didn’t write this, I typed it. In fact, I typed it on a black 15″ IBM Selectric III — correction, a Correcting Selectric III, which began production, I am informed, in 1980. It’s the one I learned to type on and, I know now, began to learn to write.
Here’s a way to say it — I pay attention, I notice things, I remember, I make connections; my mind moves fast — and long, on the connections. Draw the well deep, carry far the water. [The semi-colon technically ‘replaces’ the period but artfully between the two a difference wd be how a semi-colon can
Once after one of my MFA professors had said the work we were reading was neither good nor original, the student who’d produced the pages wailed, But … but this actually happened! So what? He said. * I think François Truffaut said everyone in fiction is crazy, and the problem is to render this craziness