Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Near the start of The Shawshank Redemption Andy Dufresne is on the witness stand, losing a battle for his life he will ultimately win. The district attorney calls “inconvenient” the inability to find the gun used in the crime. Andy has used the gun to make a hole in the river, though not to make
A totally unscientific survey — texted my brother-in-law on the other coast — shows [my] fears of the death of the ice cream cone have been at least mildly exaggerated … tho looking, literally, a little topsy-turvy. A’course, I’d not heard anything specific; the reports were only in my head because about nothing from this
Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?