The Fat Guy And Food

Big Pile of Food

The Fat Guy does not particularly like food. There are gourmands, who also are likely to be massively obese — think Mario Batali, who can be easily envisioned in one of those old “Faces of Death” videos, hammering the monkey trapped in the middle of the dining table and scooping brains out of the not-yet-dead creature’s head.

But the typical fat guy doesn’t necessarily like food. He likes the taste of fat … likes being full … but this doesn’t require good food. It just requires a lot of it.

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Coyotes and Christians

I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,

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And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

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What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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Random

Mad Men: The Imploding Don Draper

It took me the better part of two seasons to realize the story of “Mad Men” was the story of the self-destructing Don Draper. Then again, it took Draper himself at least three. And as the bright and shining lie he’d crafted, arced and crashed at his feet — represented in real time by his

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In the Beginning Were the Words

Alpha and Omega     1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water

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On (Not) Using Words

Preach the gospel at all times. If necessary, use words. Quick now — who said that? Me. Just now. Weren’t you paying attention? The saying is sometimes attributed to Francis of Assisi, most likely erroneously, as many are gleefully wont to revel in and reveal, should someone dare voice the view. To which the only

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Related

Everything Works As Well As Well As Everything Else

For The Fat Guy, everything works as well as everything else. He’s tried everything. It all goes to hell. Ergo, everything works as well as everything else. Exercise No exercise High fat, low fat High carb, low carb High protein, low protein Fasting, cycling, three meals, six Also crying in one’s club soda. Works great.

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Around the House

One night I watched about half of “Extreme Makeover: Personal Edition.”  Or something like that. It was about body renovations instead of housing, which is an interesting way to extend the brand.  I can’t help wondering if as they pitched the idea a guy didn’t say, “Heh, heh — fat people … house … get

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The Fat Guy and Buttons

Buttons are the bane of the Fat Guy’s existence. Buttons leave gaps when the Fat Guy’s fat rolls jiggle around and peek through them. Buttons catch on drawer pulls, come undone at the belly, and are generally uncooperative. Buttons are generally on costlier clothing, which means the Fat Guy is spending too much money on

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Why Not Two Cupcakes?

Something we know well and another I know little. Remember … re-member … before we begin Dallas Willard on knowing — namely … named-ly … not intellectual apprehension but interactive relationship. Each and both come from the same aim: good and right and lovely when well and harmful on all counts when not, as is

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