Less Is More

Leave a Comment / By Paul Hughes / September 21, 2013

I don’t know.

What happened next?

So, so beautiful.

This is why.

You like me.

This is it.

Red White Blue

What the fuck?

What if we …

Why should I?

God is love.

Show me how.

I love you.

See you later.

Yes, yes, yes!

I’m leaving you.

Please don’t go.

I was wrong.

You were right.

I am sorry.

Nobody gets by.

I wonder why.

No, I can’t.

Do it again.

Who will go?

No — fuck you.

No, no, no!

It doesn’t matter.

Yes, I will.

Follow thou me.

I want that.

God is dead.

I hate you.

Write it down.

It was good.

From the top.

I don’t care.

Turn left here.

He is risen.

One more rep.

That’s not right.

Do it now.

What is truth?

I go, sir.

What’s on TV?

May I please?

Go to hell.

Fries with that?

Let’s go home.

Three strong words.

Recent

Coyotes and Christians

I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,

And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

What I Recalled Watching Netflix

[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

True Romance

Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the

Happy in Our Work

To put the last first … Yes … can’t always get what we want Yes yes … we work as unto the Lord Yes yes yes … sacrifice, live, die, etc. But … what for? How then shall we live and die? + Saito says it’s this. To End All Wars — what Prisoner of

Inglorious Bastards

This is a post borne of a recent article in Leadership Journal, by a guy who’s been meeting with Ted Haggard. I don’t usually write on stuff like that — it is cheeseball to even appear to piggyback for one’s own benefit on somebody else’s popular post, or to try and capitalize on an au

Pas De Duh

Is ballet a sport? The question is asinine in at least two ways. Of course it is, whether one is asking does it qualify as one or simply based on the assumptions implicit in the question itself. To put it as stupidly, would a Ferrari fit in my garage? Is Rivendell a better deal than

Time, Treasure

Saw an episode ages ago of one of the Twilight Zone reboots which, I’m pretty sure, starred Mark Hamill as this weird kid who collected toys. All this kitschy stuff from the ‘50s and grew up collecting them — and thus stayed weird and for the most part apparently lonely for his life entire. Of course

Animal Planet Part XVII

Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?

Murder, Inc.

In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,

Cursing With God

More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and

Don’t quit