F Buechner on the faces we will meet or do not …
T.S. Eliot read by Sir Anthony Hopkins …
Helen of Troy, beauty + danger …
3D-printed face shields …
Melania Trump …
Gangsta …
FDA …
… ah, but we find this hard

F Buechner on the faces we will meet or do not …
T.S. Eliot read by Sir Anthony Hopkins …
Helen of Troy, beauty + danger …
3D-printed face shields …
Melania Trump …
Gangsta …
FDA …
… ah, but we find this hard
I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
I don’t know. What happened next? So, so beautiful. This is why. You like me. This is it. Red White Blue What the fuck? What if we … Why should I? God is love. Show me how. I love you. See you later. Yes, yes, yes! I’m leaving you. Please don’t go. I was wrong.
I don’t think that quotation means what we think it means. Beauty will not save the world and anyway Dostoevsky didn’t say it and anyways he didn’t mean it neither. The line that’s led to our clichéd abuse of the idea’s akin to ‘Eskimos have 418 words for snow’ and ‘it takes 21 days to
“We’re sorry,” said the man, pointing. “We ain’t much here.” The woman, they guessed his wife by the way she puttered around, doing many small things but nothing really, was shaking her head. The two were indicating the table, which indeed was sparse: bread of some kind, though it looked fresh baked at least, with
Something we know well and another I know little. Remember … re-member … before we begin Dallas Willard on knowing — namely … named-ly … not intellectual apprehension but interactive relationship. Each and both come from the same aim: good and right and lovely when well and harmful on all counts when not, as is
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
… am reading Ron Hansen’s Hotly in Pursuit of the Real and so for a moment do you then read with me. The title is from a line of Flannery’s I didn’t know but that is no matter; I didn’t know of Hansen’s book until a week or so ago, nor his A Wild Surge of Guilty
I don’t think that quotation means what we think it means. Beauty will not save the world and anyway Dostoevsky didn’t say it and anyways he didn’t mean it neither. The line that’s led to our clichéd abuse of the idea’s akin to ‘Eskimos have 418 words for snow’ and ‘it takes 21 days to
Silence is the real. Words lie on top. + To be alone with the Alone He drapes himself in silence Art, too, is the fruit of silence Silence is the privilege of the brave Silent love can only grow in humility What is extraordinary is always silent Silence strips man and makes him like a
