Inconvenient Truth

Near the start of The Shawshank Redemption Andy Dufresne is on the witness stand, losing a battle for his life he will ultimately win. The district attorney calls “inconvenient” the inability to find the gun used in the crime. Andy has used the gun to make a hole in the river, though not to make holes in his estranged wife, and the golf pro banging her into the wall. 

“Because I am innocent of this crime,” Dufresne replies. “I find it decidedly inconvenient.”

It is the truth.

And that’s all.

By which I mean the gun, it’s use or non-use, it’s location and locatability, and, most crucially for our perceived “prove it to me” approach to life, whether we receive (accept) any of that information, is irrelevant to what is. Andy knows he’s innocent. He will be perceived guilty for the next two decades.

But the truth will out.

So take faith.

Faith is faith in Christ and the faith of Christ, as we come to understand. Faith seeks understanding, and what is sought is found. And it is what it is, as the kids say.

Admittedly, there’s always work to be done, and always more work to be done.

Andy Dufresne, for example, must tunnel through rock, and walk through a quarter mile of sewer — a river of shit, Red calls it. The faithful must do similar work, in ways appropriate to it.

The faith of Christ is rarely convenient.

If ever: it tells us to stay when we want to go, to love when we want to stew, to shut up when we want to speak.

It tells us to forgive when we want to gnaw the marrow of resentment.

[Buechner says we’re eating ourselves, but golly we enjoy that meal.]

And the faith of Christ is the best way of the best man who’s ever lived.

One of CSL’s better known lines — stiff competition, that — has to do with believing in Christianity not so much because of what he sees in it but because of what he sees by what he sees.

And Chesterton who came before says the more one becomes convinced of something the less one is able to explain it. Like loving one’s wife, it is. It simply … is. How could one not see it?

Each of these lines — Lewis, Chesterton, and Andy Dufresne (by way of Stephen King and Frank Darabont) — works by way of indirection, which is crucial in communicating truth. For that matter, add Emily Dickinson: Tell it slant, she says. Not because it’s practical or impractical, effective or proactive — or even rebarbative, to some.

Do it because that’s the way it’s done.

Continue in it, whether anyone sees or not.

The power in Dufresne’s response to the DA is that if he’s guilty, the prosecutor is right — how convenient the gun can’t be found. But he’s innocent. And because that’s the truth, it is inconvenient, and for nearly 20 years.

But Dufresne continues to live in that truth and of the faith of it. The tunnel is his monument to that truth, the boat he begins to build his reminder, to himself, but (since he’s had 19 years to learn it) most of all to us.

Do it because that’s the way it’s done.

Continue in it, whether anyone sees or not.

That’s how the truth will out, as it always does.

Leave a Comment

Your email address will not be published. Required fields are marked *

Recent

Coyotes and Christians

I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,

Read More »

And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

Read More »

What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

Read More »

Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

Read More »

Random

Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

Read More »

Plough Lines

“For sale: baby shoes” is a classified ad. “For sale: baby shoes; never worn” is a story. It’s Hemingway’s, in fact. * “The king is dead” is a news bulletin. “The king died, and the queen died of grief” is a story. Better yet, “The king died, and the queen and her lover died in

Read More »

In The Heart of the Drunkard

And away he went, to drink the value of his cross … I have been listening to Fyodor Dostoevski’s The Idiot on the iPhone, from Audible.com. It’s incredible. I just know I’ll have to read it as soon as I’m done with the audio. [I do irk myself somewhat on having become such a fan

Read More »

Words on Silence

Silence is the real. Words lie on top. + To be alone with the Alone He drapes himself in silence Art, too, is the fruit of silence Silence is the privilege of the brave Silent love can only grow in humility What is extraordinary is always silent Silence strips man and makes him like a

Read More »

Related

Shock and Appall

Our system is perfectly designed for the results we’re getting. We worship wealth and crave power. We have a job called “celebrity” and wink at vulgarity and reward villainy. We admire brashness. We randomly excuse or excoriate peccadilloes: depends on the news cycle, the fame or infamy possible, and the money and status of those involved.

Read More »

An Epic For Our Time

Peter Jackson’s “The Hobbit” is like cram, the bread the dwarves eat for weeks as they explore The Lonely Mountain — and for much longer as men and elves lay them siege. It sustains but does not nourish, providing energy but no taste. But let Tolkien tell it: “I don’t know the recipe, but it

Read More »

Who They Are

The poet felt injustice in calling it Fancy Ketchup. The priest said the most grievous sins can be forgiven. * The priest wondered if anyone changed. The poet said he’d seen it often, depending on who was paying. * The poet would punish evil by making them hated by all. The priest would in having

Read More »

Do Piece — Community (Barth)

They crucified him with the criminals. Do you know what this implies? Don’t be too surprised if I tell you that this was the first Christian fellowship, the first certain, indissoluble, and indestructible Christian community. Christian community is manifest wherever there is a group of people close to Jesus who are with him in such a

Read More »