Jeremy Larner

Recent

Trick Shot

Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Random

What Are The Stories

“What are the stars?” No, not “big balls of gas” — that’s just their form. Just as people aren’t blood and guts so are stars not big balls of gas. What then are the stories?  I started with two divergent thoughts — There is only one plot: things are not what they seem. Jim Thompson and With a

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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Mad Men: The Imploding Don Draper

It took me the better part of two seasons to realize the story of “Mad Men” was the story of the self-destructing Don Draper. Then again, it took Draper himself at least three. And as the bright and shining lie he’d crafted, arced and crashed at his feet — represented in real time by his

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Once Upon A Time

Once upon a time, my children, before the Social Media Olympics, before the rub-on tan; before the laptop with no DVD drive, before the waters had begun to rise again; before the Hybrid and the Hulu, before the earbud and the Entenmann’s outlet; before there were tweets and tweakers, yea afore they had invented the

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