Can We Love Chocolate Cake?
Here’s a guest post at Dreaming Beneath the Spires.
Can We Love Chocolate Cake? Read More »
Recent
What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you
Random
I’ve Said Too Much
There’s a danger of saying too much. There’s always that. I wrote previously and succinctly about stories. Here’s a longer exploration I’ve been working on, off and on, for about a year. * Every true story starts with realizing something is out of place and involves people asking who they are in a world where things (they now see)
Happy in Our Work
To put the last first … Yes … can’t always get what we want Yes yes … we work as unto the Lord Yes yes yes … sacrifice, live, die, etc. But … what for? How then shall we live and die? + Saito says it’s this. To End All Wars — what Prisoner of
Mad Men: The Imploding Don Draper
It took me the better part of two seasons to realize the story of “Mad Men” was the story of the self-destructing Don Draper. Then again, it took Draper himself at least three. And as the bright and shining lie he’d crafted, arced and crashed at his feet — represented in real time by his
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Related
What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you