Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Report from the Part of the Problem Dept.
Failure to communicate, indeed. Lucas Jackson on a sweatshirt. A Christmas sweatshirt. That is for sale. Next let’s buy this. Yes, boss.
Words on Silence
Silence is the real. Words lie on top. + To be alone with the Alone He drapes himself in silence Art, too, is the fruit of silence Silence is the privilege of the brave Silent love can only grow in humility What is extraordinary is always silent Silence strips man and makes him like a
The great story is the search by the lover for the beloved. I love M. I am in love with M. [angry as well; in love and in pain, simul.] To love as Christ loves. (ask, seek, knock). God pursues. Christ stands. Spirit groans. I am he. I seek her even if she will not
In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,