Recent
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Random
Being That Guy
Once after one of my MFA professors had said the work we were reading was neither good nor original, the student who’d produced the pages wailed, But … but this actually happened! So what? He said. * I think François Truffaut said everyone in fiction is crazy, and the problem is to render this craziness
Make No Mistake
When I played baseball in 10th grade, our coach was forever admonishing us to Give 110% — often prefaced by a forlorn C’mon fellas … [In 11th grade, the coach would line us up against the chain link fence in front of the dugout and hit baseballs at us. He said this was to train our
Cursing With God
More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I