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What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you
Random
Columbo: Why It Matters
This is part two of a two-part post on why, some 45 years later, Columbo still matters. Part one is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * I now have the entire collection, all 35 years, nearly 70 episodes in all, and I’ve seen each
Kim Possible
All the while watching Mad Men seemed to me the question was ‘Would Don Draper be redeemed?’ Breaking Bad was running roughly concurrently and the same question with an otherly alliteration was being posed: ‘Would Walter White be damned?’ The answer to the first was quintessentially postmodern, exquisitely childish, and thereby perfect — neither. Or, as an actual
Dance With Who Brung Ya
We’re observing Columbus Day with doughy, deep-fried donuts dusted with powdered sugar. It’s hard to hate old Christopher when M makes zeppole. But we are supposed to hate him, we’re told. We’re told, I say! We’re told he to do so because he was a bad man — he was a very bad man. The
The Fat Guy and Buttons
Buttons are the bane of the Fat Guy’s existence. Buttons leave gaps when the Fat Guy’s fat rolls jiggle around and peek through them. Buttons catch on drawer pulls, come undone at the belly, and are generally uncooperative. Buttons are generally on costlier clothing, which means the Fat Guy is spending too much money on