Bresson

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And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

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What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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Random

Columbo: Why It Matters

This is part two of a two-part post on why, some 45 years later, Columbo still matters. Part one is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * I now have the entire collection, all 35 years, nearly 70 episodes in all, and I’ve seen each

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I See That Hand

We imagine Thomas even doubted himself. When the other disciples said Christ had risen, this earnest empiricist first said, “unless I see” … then he realized it wasn’t enough. So he demanded to “thrust my hands into His side.” For Thomas, seeing wasn’t believing. But touch … that he had hopes for. * Seeing isn’t

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Protective Covering

A wayback bit of my memory mentions to me how George Thorogood and Bob Seger each felt, responded, etc., when asked to play their single most widely known songs — which are of course this one and this one, respectively — for live shows. Elements of the discussion — one article, with thoughts from both?

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