Carl Olson

Recent

Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Greater Love Blah Blah Blah

Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on

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Dark Eyed Life

According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the

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Random

Who They Are

The poet felt injustice in calling it Fancy Ketchup. The priest said the most grievous sins can be forgiven. * The priest wondered if anyone changed. The poet said he’d seen it often, depending on who was paying. * The poet would punish evil by making them hated by all. The priest would in having

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Room Where It Happens

If the line between good and evil cuts through the human heart there’s gotta be some overlap. The lovely mesh seems so far to last oh … about forever and it occurred this morning it will never quite be clean this side of the fundy conception of the Jordan. Even Dr. Willard, averring as he

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Plague Dog

During the lockdown read The Plague, turned page next to The Book of the Dun Cow. Not an immediately clear connection not least because Dun Cow is far lesser known. Both chronicle communities within a larger one within a larger world. First, of course, is the full circle vicious and virtual, during a pandemic; latter

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The Fat Guy And Food

The Fat Guy does not particularly like food. There are gourmands, who also are likely to be massively obese — think Mario Batali, who can be easily envisioned in one of those old “Faces of Death” videos, hammering the monkey trapped in the middle of the dining table and scooping brains out of the not-yet-dead

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