Recent
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Random
People of Costco
We got some of our Christmas presents at Costco and I’m not sorry. For I am not ashamed of the gospel of volume discounting, for it is the confidence of 30 rolls of absorbent toilet paper and the power of barrels of mayonnaise unto certain kinds of satiation, and two items not unrelated in the
The American Poet
In evangellyfish circles there used to be a joke thus — Let us now turn to Malachi, the Italian prophet. The joke works if you say chi the way we’re supposed to say Qi if it’s the Chinese thing. And it works, though my Italian wife will die on the bruschetta with a hard “k”
Christians and Atheists
Christians create atheists when we do evil in God’s name. (props to Dennis Prager, who wrote: “Nothing creates atheism as much as evil done in God’s name.”)
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I