Recent
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Random
Pray Attention
… am reading Ron Hansen’s Hotly in Pursuit of the Real and so for a moment do you then read with me. The title is from a line of Flannery’s I didn’t know but that is no matter; I didn’t know of Hansen’s book until a week or so ago, nor his A Wild Surge of Guilty
The Amazing Amazingness of Amazing Stuff
Amazing. Did it creep up on you as well? This overuse of the word “amazing” just sort of … appeared. Amazing. Here I was just a moment ago trying to read about the Dodgers, and Don Mattingly wanting more instant replay — they’d lost recently to the Brewers on a questionable call to end the
The Fat Guy and Buttons
Buttons are the bane of the Fat Guy’s existence. Buttons leave gaps when the Fat Guy’s fat rolls jiggle around and peek through them. Buttons catch on drawer pulls, come undone at the belly, and are generally uncooperative. Buttons are generally on costlier clothing, which means the Fat Guy is spending too much money on
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I