Recent
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
The Fat Guy And Food
The Fat Guy does not particularly like food. There are gourmands, who also are likely to be massively obese — think Mario Batali, who can be easily envisioned in one of those old “Faces of Death” videos, hammering the monkey trapped in the middle of the dining table and scooping brains out of the not-yet-dead
Murder, Inc.
In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I
Why Not Two Cupcakes?
Something we know well and another I know little. Remember … re-member … before we begin Dallas Willard on knowing — namely … named-ly … not intellectual apprehension but interactive relationship. Each and both come from the same aim: good and right and lovely when well and harmful on all counts when not, as is