Mother Jones

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True Romance

Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the

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On Real

Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when

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Subjective, Objective

The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a

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People do the Craziest Things

Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that

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Random

How Long O Overlords?

How many more evangelical celebrity figures have to shoot themselves before the church industry stops putting men and women on stages and the rest of evangelical fandom stops putting them on pedestals. This time it was Darrin Patrick. Eight months ago — the news broke on Suicide Awareness Day — it was Jarrid Wilson. Which itself

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Around the House

One night I watched about half of “Extreme Makeover: Personal Edition.”  Or something like that. It was about body renovations instead of housing, which is an interesting way to extend the brand.  I can’t help wondering if as they pitched the idea a guy didn’t say, “Heh, heh — fat people … house … get

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Not For Teacher

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer

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Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

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