Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
We’re observing Columbus Day with doughy, deep-fried donuts dusted with powdered sugar. It’s hard to hate old Christopher when M makes zeppole. But we are supposed to hate him, we’re told. We’re told, I say! We’re told he to do so because he was a bad man — he was a very bad man. The
This could go a couple different ways. An image likes could be Veteran’s Day, it’s not, or Memorial Day which, though closer, it’s not. Could be about a song (actually a poem) I found only a few months ago or an automatically somber meditation on mortality that’s begun before you’ve even begun to read …
As Annie Dillard might say, I didn’t write this, I typed it. In fact, I typed it on a black 15″ IBM Selectric III — correction, a Correcting Selectric III, which began production, I am informed, in 1980. It’s the one I learned to type on and, I know now, began to learn to write.