Neil Gaiman

Recent

What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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‘Round Here

Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you

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Random

The American Poet

In evangellyfish circles there used to be a joke thus — Let us now turn to Malachi, the Italian prophet. The joke works if you say chi the way we’re supposed to say Qi if it’s the Chinese thing. And it works, though my Italian wife will die on the bruschetta with a hard “k”

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In The Heart of the Drunkard

And away he went, to drink the value of his cross … I have been listening to Fyodor Dostoevski’s The Idiot on the iPhone, from Audible.com. It’s incredible. I just know I’ll have to read it as soon as I’m done with the audio. [I do irk myself somewhat on having become such a fan

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In the Beginning Were the Words

Alpha and Omega     1:1 In the beginning were the words. The words were the poet’s, and later the priest’s. And the words the poet wrote were that Malcolm Bodwell was, “rapacious and repulsive and a fat gloating suet goat of a boy (not man) engorging himself on peat and stone and dregsy water

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