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What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you
Random
On Real
Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when
Metered Sins
Poetry’s a sneaky bastard. All the time sidling up to one on false pretenses — ‘It’s just the one’ … ‘We won’t intrude’ — and they’re all lies damn one’s eyes! Lies-damned-lies and no need for statistics and the pile of warm laundry does not diminish and soon loses its warmth and begins to glower
Missing Dinner
The common phrasing phor life today offers one and sundry the common counsel, Live, Laugh, Love. Jesus responds — preempts if you prefer it precise — with semi-characteristic frankness Love Love Love I say semi-characteristic since only half the time is he blunt, while the other half he’s maddeningly opaque — like the dork in high
Dirty Rotten Scoundrel
Some of my best friends have a problem with the dirty poor. These are the folks below the dirt-poor — which describes a financial level not the person himself. These are the dirt-encrusted, unemployed, possibly begging (relying on strangers, kindness, and a fair economy as much as the rest of us, anyway), frequently transient (the weather