Recent
Coyotes and Christians
I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,
And Did Dostoevsky Say ‘Beauty Will Save’
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
Random
Missing Dinner
The common phrasing phor life today offers one and sundry the common counsel, Live, Laugh, Love. Jesus responds — preempts if you prefer it precise — with semi-characteristic frankness Love Love Love I say semi-characteristic since only half the time is he blunt, while the other half he’s maddeningly opaque — like the dork in high
Jesus All The Way Down
The other day I wrote about having no hope. More specifically no hope in this world, more specifically because the hopes we had have been hammered against hardened sand and dirt and clay, that is, against the rocks. That may be the basic choice in life: Heart hardened … or Hopes hammered … And then
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action