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Trick Shot

Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Random

Mad Men: The Imploding Don Draper

It took me the better part of two seasons to realize the story of “Mad Men” was the story of the self-destructing Don Draper. Then again, it took Draper himself at least three. And as the bright and shining lie he’d crafted, arced and crashed at his feet — represented in real time by his

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The Simple Art of Murder (Excerpt)

Raymond Chandler In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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