Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
… am reading Ron Hansen’s Hotly in Pursuit of the Real and so for a moment do you then read with me. The title is from a line of Flannery’s I didn’t know but that is no matter; I didn’t know of Hansen’s book until a week or so ago, nor his A Wild Surge of Guilty
Giant in the Land
Dallas Willard revised his affairs yesterday, moving to the headquarters of the Kingdom of the Heavens to live slightly nearer to God, whom he spoke of, served, embodied. The life he continues to live today. Unceasingly infused, this life was and is. For these ideas and Our Lord were everywhere in what Dr. Willard said
Can We Love Chocolate Cake?
Here’s a guest post at Dreaming Beneath the Spires.
We’re watching Planet of the Apes. No, not the Charlton Heston one — this one. Only it’s supposed to be this one, from last year. So we’re on the middle one, the “first remake” (excluding the 17 sequels to the Charlton Heston one) and it’s by Tim Burton, with all that that entails, from Helena