Recent
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Dark Eyed Life
According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the
Random
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Who They Are
The poet felt injustice in calling it Fancy Ketchup. The priest said the most grievous sins can be forgiven. * The priest wondered if anyone changed. The poet said he’d seen it often, depending on who was paying. * The poet would punish evil by making them hated by all. The priest would in having
Words on Silence
Silence is the real. Words lie on top. + To be alone with the Alone He drapes himself in silence Art, too, is the fruit of silence Silence is the privilege of the brave Silent love can only grow in humility What is extraordinary is always silent Silence strips man and makes him like a
Plague Dog
During the lockdown read The Plague, turned page next to The Book of the Dun Cow. Not an immediately clear connection not least because Dun Cow is far lesser known. Both chronicle communities within a larger one within a larger world. First, of course, is the full circle vicious and virtual, during a pandemic; latter