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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

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Not For Teacher

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer

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Diminishing Me

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28

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Random

Columbo: Why We Watch

This is part one of a two-part post on why, some 45 years later, we still watch Columbo. Part two is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * For my wedding, I asked for and received the Columbo DVD collection. Complete to that point, it ended

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Centurion Prayer Day One

Going to start a little experiment. Well, it’s not terribly small, given that it will take nearly a third of a year that’s already one-fourth done. I’m calling the idea Centurion Prayer. I already like the name, so don’t try to change my mind. The idea is 100 days of prayer, and it’s not a

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Business Card

  Live lean. Altar ends. Mercy burns. Pleasantly surprising. Love to the point of folly. Afflictions eclipsed by glory. Write until your fingers break. Everything worth doing hurts like hell. The individual will be thoroughly misunderstood. Write as if you were dying … — that is, after all, the case. Completely fearless, absurdly happy, and in

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Protective Covering

A wayback bit of my memory mentions to me how George Thorogood and Bob Seger each felt, responded, etc., when asked to play their single most widely known songs — which are of course this one and this one, respectively — for live shows. Elements of the discussion — one article, with thoughts from both?

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