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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

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Not For Teacher

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer

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Diminishing Me

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28

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Random

Like A Rolling Stone

A totally unscientific survey — texted my brother-in-law on the other coast — shows [my] fears of the death of the ice cream cone have been at least mildly exaggerated … tho looking, literally, a little topsy-turvy. A’course, I’d not heard anything specific; the reports were only in my head because about nothing from this

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He Built That

They say of Jim Brown — When he got to the end zone he acted like he’d been there before. They don’t say this of those who make it there today. There’s something to be said for this, and Vince Lombardi said it — If you aren’t fired with enthusiasm, you will be fired with

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Get Out Of The Boat

For Jonah, dissent was a felix culpa, a happy fault that brought him closer to God. Or like Dante, when doubting pleased him no less than knowing (Inferno, Canto 11), for what he could learn and gain. Our error brings us closer to Him. And He knew it would do so. Then we know he

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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