Recent
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
Christians and Atheists
Christians create atheists when we do evil in God’s name. (props to Dennis Prager, who wrote: “Nothing creates atheism as much as evil done in God’s name.”)
Kingdom In
When we hear of our twinclinations — the two tendencies within us all, one toward good and one toward ill — most time is spent on the first. Anyway I’ve spent most of my time on that — on being most concerned over time with what’s good and am I being that, and often justifying what doesn’t
Un Success Full
Thomas Merton was asked once to contribute to a book on success — specifically a statement of how he’d achieved it in his own life. I replied indignantly that I was not able to consider myself a success in any terms that had meaning to me. If it happened that I had once written a
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I