Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
There was a time when my weight goal was to fit into size 46/30 khakis from Walmart, and that time was last Thursday, when I bought them. I weigh some 334 pounds. I am 42 years old, heading to 43. I am officially diabetic, per my doctor’s adjudication of some recent unfortunate blood tests.* The
More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and
Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?